Making sense of the sixties

The curvaceous starlet thought better roles were ahead for her but she was back in a bikini as a hip-shaking beach girl in Pajama Party and back to being chased by monsters—this time gill-men—in War-Gods of the Deep

Making sense of the sixties

The second instalment, at the Millennium Court Art Centre, Portadown, 6th October — 22nd Novemberfeatures examples of work dating back to the early s. Friday 4 August, pm Exhibition continues: Leaves Belfast from Golden Thread Gallery at 6.

With a family history in lace-making and embroidery, Alison studied textiles, then developed her skills in glass making in a variety of techniques.

The nature of the glass piece embodies the fragility of the very memory it captures. The exhibition opens on the 4th August and continues until the 27th of September. The artist has used the technique of Pate de Verre to cast antique christening robes in the process, the original robe will be burnt away in the kiln but the glass will formed in its place — Making sense of the sixties a fragile but haunting reminder of what was there before.

Making sense of the sixties

She graduated from the University of Ulster with a first class Honors degree in Art and Design in She employs a range of techniques to create her sculptures, working with cast glass and pate de verre. Ceramics and its Dimensions: Returns from Portadown at 9pm Exhibition continues: This event is free of charge but registration is essential.

To register please contact Niall Drew on or Niall. The sub-project consists of a workshop, a touring exhibition and a publication. It has been co-funded Making sense of the sixties the Finnish Ministry of Education and Culture. For more information on the project visit: The raw materials, such as clay, kaolin sand, feldspar, quartz and other minerals, are taken from the ground.

People have known this for thousands and thousands of years, and they have taken advantage of the special characteristics of ceramics as a material: Throughout history, ceramics has played an important role in the development of different kind of societies all around the world, influencing the way people have built their houses, lived their lives and eaten their food.

The European project Ceramics and its Dimensions seeks to be a part of the rediscovering of the role of ceramics and the bringing forth of the knowledge of the heritage and the different traditions of the use of ceramics.

This ambitious project has connected museums, architects, designers, industry and stakeholders from different European countries to explore ceramics according to its cultural, historical, technical and artistic aspects. The project is supported by the EU Programme Creative Europe, and it brings together twenty-five partner institutions from eleven European countries: Within the project, there are ten separate modules that focus on diverse aspects of ceramics.

Each of the modules uses their own way to explore, discuss, show and share their specific topics. For example, the module European Cultural Lifestyle in Ceramics — from Baroque until today constitutes a touring exhibition that presents some carefully selected items which mirror the history of ceramics in the European lifestyle from the Baroque period to the present.

Then the module Architectural Ceramics in Europe uses the form of a database to present some extraordinary buildings in European history. It highlights the fact that ceramics is not an insignificant building material but in fact one which has in many cases improved the quality of architecture significantly.

The module Prop ceramics — ceramics in movies and advertisements takes a retrospective view of the socio-cultural background of the use of ceramics in films. On the other hand the module Ceramics — what it means to me brings us to the question of how to use ceramics for improving the living conditions of people and how to make sure that ceramic products are sustainable.

It also tackles the fundamental question of how we can create ceramic pieces that are produced in large quantities yet at the same time feel personal. To support the challenges for the upcoming generation, the Future Lights module and competition is targeted at young designers who have just started their careers.

The module provides a chance for the selected participants to promote their career as designers and ceramicists. Right now, you are handling the publication that will discuss and show in detail how the module is in fact shaping the very future!

Southern Regional College Opening: The exhibition creates another step in providing artistic opportunities for the members in a professional setting. The work, which draws great interest from the local area, will continue to develop ties between MCAC and local practicing artists.

Making sense of the sixties

Returns from Portadown at 9pm. What happens when democratic processes express, even produce, social and political divisions? How are the outcomes of such processes — sometimes only narrowly won - resisted and critiqued?

How moreover, do such processes make use of visual-cultural means to, as the writer Rebecca Solnit puts it: Drawing on over a decade of image-making and research on themes of protest and urban space, Irish artist Joy Gerrard archives and painstakingly remakes media-borne crowd images from around the world.

Her crowds are viewed from above, suggesting the remove of media observation, while the fluidity and drama of their moment is expressed through precise, expressive mark-making. The large paintings allow a shift in scale, disrupting the photographic schema of the smaller drawings, thus allowing greater freedom from the original mediation of the image.

Here, Gerrard sets the historical specificity of her protest images against an abstract depiction of space and human movement. The perpetual flow of individual objects, apparently random and chaotic, is constrained and directed within a built environment."Making Sense of the Sixties" is six hours of television that is short on memory and devoid of any real vision.

That can make for frustrating viewing -- . Jan 21,  · A look back at one of the most turbulent decades of America's recent history, this documentary examines the political and cultural changes, from the assassinations of JFK, RFK and MLK to See full summary /10(41).

This is a collection of the pieces uploaded by David Hoffman of his PBS series "Making Sense of the Sixties." Each episode was broken into two pieces of abou. They made music together, took drugs together, formed bands together, slept together.

SIXTY SENSE | MAKING SENSE OF THE SIXTIES

But none of the legends of the Laurel Canyon scene that flowered in L.A. in the late 60s and early 70s—Joni. Making Sense of the Sixties is a six part series analysing certain facets of the social and political upheaval of the s and beyond in the United States.

The series chronologically examines the cultural and political changes which shaped the era and left an indelible mark on later decades.

From the assassinations of John F. Kennedy, . The s (pronounced "nineteen-sixties") was a decade of the Gregorian calendar that began on 1 January , and ended on 31 December The term "s" also refers to an era more often called the Sixties, denoting the complex of inter-related cultural and political trends around the pfmlures.com "cultural decade" is more loosely defined than the actual decade, beginning around with.

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